The Philosophy of Henri Bergson

being, time and cinema a study of the philosophy of henri bergson on gilles deleuze's philosophy of cinema

in addition to his revolutionary philosophy and his fundamental criticism on psychoanalysis to which he owes his fame, gilles deleuze, the great philosopher, devotes an important part of his thought to formulating the ontology of cinematic image and hence turned out to be known as the only philosopher of cinema. thanks to the multiple classifications of images and creating philosophical concept...

Immediate Experience and the Problem of Expression: A Study in the Philosophy of Bergson

art has shown is that the artist mobilizes the static elements of line, color, shape and texture in order to convey a meaning. The movement or play among these formal properties themselves, not only gives fluid expression to the subject presented, but reaches beyond the inert and singular perspective portrayed on the canvas or in the sculpture to capture the very life of the idea or feeling it ...

From the philosophy auditorium to the neurophysiology laboratory and back: from Bergson to Damasio.

Henri Bergson (1859-1941) was probably the most influential French philosopher at the turn of the twentieth century. In 1927 he was awarded the Nobel Prize for literature. Far beyond the restricted academic philosophical milieu, the impact of his thinking reached personalities as diverse as Claude Debussy, Marcel Proust, George Bemard Shaw, and the impressionists. His essay The Laughter (Le Rir...

The Socratic Bergson

Bergson and the Holographic Theory of Mind

Bergson’s model of time (1889) is perhaps the proto-phenomenological theory. It is part of a larger model of mind (1896) which can be seen in modern light as describing the brain as supporting a modulated wave within a holographic field, wherein subject and object are differentiated not in terms of space, but of time. Bergson’s very concrete model is developed and deepened with Gibson’s ecologi...